Ocean Liner Curator uses an evidence-first approach. This page explains how claims are supported, how uncertainty is labeled, and what kinds of sources are preferred—followed by a curated bibliography of institutional holdings and scholarly works used across the site.
For a broader overview beyond artifacts, see Ocean Liner Research: Sources, Methods, and Evidence.
Standards (How Evidence Is Weighed)
Not all sources are equal. Ocean Liner Curator prioritizes primary documentation and professional custodianship (archives, museums, official registers). Secondary works are used when they transparently cite primary material or show consistent technical reliability. Market descriptions and collector lore are treated as context—not proof.
Evidence tiers used on this site
Claim Scaling (How Strong Conclusions Are Allowed to Be)
Conclusions are stated in proportion to the supporting record. When documentation is thin, the site prefers bounded language (e.g., “consistent with,” “probable,” “cannot be confirmed”) and makes “unknown” a valid, responsible endpoint.
How uncertainty is labeled
Documented Supported by primary/official sources.
Well-supported Multiple strong secondary sources agree, citing primary material.
Probable Evidence points one way, but a confirming document is missing.
Possible Plausible, but competing explanations exist.
Unknown Evidence is insufficient to choose responsibly.
Citation Standards (What Gets Cited)
Factual assertions (dates, dimensions, ownership, design features, route chronology) should be traceable to primary or reputable secondary sources. Interpretive commentary is separated from documentary claims. When a source is popular but weakly sourced, it may still be referenced—but only with cross-checking and restraint.
General encyclopedic resources (including collaboratively edited platforms) are not treated as primary or secondary authorities. Where such resources are consulted for orientation, underlying references are traced and evaluated directly.
Use of AI-assisted tools
This project makes limited use of AI-assisted tools to support research organization, drafting, and cross-referencing. These tools function as assistants, not authorities. All content is reviewed by a human editor, and factual claims are evaluated against primary or reputable secondary sources. AI-assisted outputs do not replace archival research or curatorial judgment, and uncertainty is stated explicitly where evidence is incomplete.
The links on this page are intentionally institution- and scholarship-oriented. If you're looking for hobby and general-interest resources, see External References.
Museums & Archives institutional
Custodians of primary material (plans, photographs, company papers, artifacts) and professional interpretation.
- National Maritime Museum (Greenwich, UK) — plans, models, photographs, curatorial research
- The Mariners’ Museum & Park (Newport News, VA) — shipbuilding and transatlantic liner context
- Merseyside Maritime Museum (Liverpool) — port history; Cunard/White Star context
- Smithsonian Institution — National Museum of American History — U.S. maritime and industrial context
- Library of Congress — period images, posters, maps, ephemera
- The National Archives (Kew, UK) — government records; Board of Trade files; inquiry context; registration and regulatory material
- Cunard Archive (University of Liverpool) — corporate papers, ephemera, branding, and fleet documentation
Shipbuilders & Corporate Records primary
When available, shipyard and line records provide foundational evidence for specifications and design intent.
- Harland & Wolff shipyard records (Belfast) — construction drawings and specifications
- John Brown & Company archives (Clydebank) — engineering and construction context
- Newport News Shipbuilding archives — postwar American liners, including SS United States
Registers & Official Documentation reference
Used for verification and cross-checking (ownership, tonnage, dimensions, chronology, and official inquiries).
- Lloyd’s Register of Ships — contemporary technical and ownership data
- British Board of Trade reports — official investigations and inquiry material
- Norway Heritage — compiled passenger lists and ship summaries (used as a cross-checked reference, not primary evidence)
Scholarly & Curatorial Works selected
The following authors are relied upon for documented research, technical accuracy, and transparent engagement with primary sources. Inclusion reflects sustained reference value rather than narrative popularity.
- Mark Chirnside — c. 1890–1930; White Star Line; Titanic and Olympic-class ships; primary-source analysis
- William H. Miller — transatlantic passenger liners; interiors; passenger experience
- John Maxtone-Graham — ocean liner engineering and aesthetics; structural design interpretation
- Norman Friedman — maritime and naval engineering; technical systems and design evolution
- Arnold Kludas — passenger shipping lines, fleets, routes, and chronology
- Daniel Allen Butler — narrative synthesis (used when cross-checked)
- Asa Briggs — industrial Britain; social and economic history context
- David K. Brown — naval architecture and ship design history
- R. A. Burt — naval and maritime technical studies
- Hugh Murphy — Titanic public history; preservation and interpretation
- Charles Haas — wreck-site material culture; recovery-context research
- Institutional exhibition catalogs & curatorial publications — object-based research grounded in documented collections
- Bill Wormstedt — structural analysis, plan interpretation, technical chronology (especially Olympic/Titanic-class)
- Paul Lee — documentary research and compiled resources (used with cross-checking)
Artifact & Material Culture objects
Used for provenance context and object-based interpretation. Market descriptions alone are not treated as historical proof.
- SS United States Conservancy — archival research and preservation history
- Henry Aldridge & Son — specialist auction research
- Major auction houses (Christie’s · Sotheby’s · Bonhams) — catalog essays and provenance context